He flipped back and forth between the dozen digital images before settling on the one he deemed most appropriate for his purposes, and he texted me a ...opy. In the photo, there seemed to be a dozen women, exactly like me, their arms bound behind their backs, standing submissively next to their captors, whose arms snaked around naked bodies, reiterating over and over and over exactly who was in charge and who was not. There were bare breasts everywhere ... breasts identical to mine ... ready to. From his vantage point in the dressing room, Billy was watching every tiny movement of his mother's exciting body. He watched her breasts rise and fall with her brushing, wishing that he could take one of them in his mouth, to tease and torment the nipple and feel the resilient flesh give beneath his touch. He liked the way she looked at herself in the mirror. He loved her dark curly hair and the lust-inciting curve of her buttocks and shapely thighs. In the mirror, he could see the reflection. Soon I stumbled upon twowriters that pretty much a huge part of the Fictionmania foundation.Bill Hart and Morpheus. Through (mostly) them I learned to beintrigued by genderbending. From the storytelling standpoint, it wasneat to see a radical shift for a character and how he or she reacts.Soon I discovered a certain issue with stories on FM. Most followed thesame mechanic of transformation. It felt limited in creativity.Following the discovery, I started to write down my own story ideas,plot. Aur voh jor se aahein bhrti boli sirf chuche nahi meri chut bhi chuso chato uski pyaas bhujaoMene fir uski puri saari utar di aur fir usko lita diya ab mene uski tango se chumna shru kiya aur dhire dhire chumte chumte upr aagya aur fir mein uski chut be ruka . Kya chut thi uski fully hui ek dum soft mene use dhire dhir chumna shru kiya aur apni jib se chodna shru kiya. Use bhi majaa aane laaga aur voh jor jor se chilane lagi aahe lene bhari angrai lene lagi voh ekdum machal uthi aur usne mera.
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